Uncategorized Archives - Comicsdi https://comicsdi.com/category/uncategorized/ Home of comics Thu, 26 Jan 2023 14:26:12 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 https://comicsdi.com/wp-content/uploads/2023/09/cropped-comicdi_newlog-32x32.png Uncategorized Archives - Comicsdi https://comicsdi.com/category/uncategorized/ 32 32 DRY LEAVES, a satire on African leadership https://comicsdi.com/dry-leaves-a-satire-on-african-leadership/ Thu, 26 Jan 2023 14:26:12 +0000 https://comicsdi.com/?p=2283 “You will listen to your father!” Ndabar barked at his son. “No father, I will not,” Binku retorted. “You think I am interested in the meaningless wealth you have amassed for yourself here in Balilu over the years? I’ve got news for you, no I’m not!” His father got up in a rage. He lifted […]

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“You will listen to your father!” Ndabar barked at his son.

“No father, I will not,” Binku retorted. “You think I am interested in the meaningless wealth you have amassed for yourself here in Balilu over the years? I’ve got news for you, no I’m not!”

His father got up in a rage. He lifted his hand with amazing reflex and was about to land his son a resounding slap, he had a rethink, held his hand back with his entire strength. Something in him wanted so badly to strike his son but somehow, he knew that would get them nowhere. This was not the first time they would have such a heated argument about what he wanted his son to do.

“You are an ungrateful nincompoop!” He fired back at his son as he forcefully put his lifted hand down.

“Why?” Binku asked sardonically. “Because you sent me to Oxford and then to Harvard for its Strategic Management Program? Was it not for your selfish interest you did it?”

“How dare you talk back at me? I deserve some respect!” his father demanded. “I took you out of the dilapidated educational structure of Balilu because I wanted you to have the white man’s brain, not to be retarded by the backward system my predecessors put us in. This is all in a bid for you to come and join me when you are done but what did you do instead? You opted out of Harvard midway then decided to pursue an empty music career. The son of the powerful premier of the mighty Republic of Balilu, a low-life musician? what a shame.”

“Father, do you hear yourself speak? I doubt if you do,” Binku replied. “A dilapidated educational structure under your administration, I guess. An administration you have governed for thirty-five excruciating years with nothing to show for it except luxury cars, obese foreign bank accounts, this palatial villa you call the Heaven of Balilu, and a starving nation.”

Ndabar returned furiously to his leather sofa. The argument had erupted in his leisure suite inside the Oak, the Republic of Balilu’s presidential villa, which Ndabar fondly called Balilu’s Heaven because of the state-of-the-art structure and also because of the stupendous wealth with which he had built it; something many of the Baliluians condemned and called a blatant waste of public wealth especially because it was not a perfect reflection of the economic welfare of the citizenry.  The Oak is spread across twenty-five thousand square meters land on which sits a massive mansion with six floors consisting of more than three hundred rooms, and two underground floors. It is an architectural masterpiece with a striking dome made from pure gold and sapphire, this stands it out from any other building in Balilu. Its exquisite interior flooring pattern is made using varieties of marble, granite, and art parquet that will leave any observer marveling. Ndabar’s favorite color was white, he believed white was sacred and royal so he had the Oak painted in white. All the halls of residence had exceptional internal decoration, chandeliers, and imported furniture from China. It is rumored that renowned British architect and designer “Norman Robert Foster” was involved with the design of the structure.

As Ndabar settled down in anger, he poured himself a Domaine Leroy Musigny Grand Cru, said to be the world’s most expensive wine. He gulped down the content in his glass then shot a fiery gaze at his son.

“I will not have you talk about my administration like that. No, you cannot,” he told his son.

“Why?” his son asked. “You are afraid to hear the truth?”

“Because you know close to nothing about administration, governance, and politics, and you have no experiential capacity in public governance to analyze my administration,” Ndabar fired back.

“Father, I know enough to tell you that your people are starving. Our economy is falling. Your people hate you because you have done close to nothing to better their lives in thirty-something years that you have been in power. We keep borrowing with no concrete plans for debt servicing or substantial proof of what the money is being used for. The economy is harsh on the common man. Worse still, you refuse to relinquish power for the donkey years that you have been on this seat. At least give someone else a chance. Even the seat of power is weary of you.”

Ndabar was quiet. He brooded over his son’s agitation. The entire suite was quiet. If a pin was dropped, at that moment, the sound would be audible. “Is that what you think?” he asked quietly.

“It’s what I know, father. If the sycophants that surround you will not tell you the truth, at least allow me to. Now elections are tomorrow. I know you have it all planned out as usual but for once, drop your manipulative incumbency power and allow things to run their normal course.”

Ndabar pretended like he did not hear his son’s last statement. He poured himself another glass of French wine. “On the contrary, my people love me, and the ones that don’t, will eventually get to. Never mind the current state of the system. These are problems I inherited from my predecessors who wretched the economy, it cannot be undone in a day or even years. Change is a gradual process. If I leave power now, there will be no continuity. This is why the whispers on the streets will do you no good. They are not the true x-ray of how things are. They are idle whispers. In thirty-five years, I have stabilized the economy. Years from now, our economy will be the fastest-growing in the whole of Africa. The figures are there, the Gross Domestic Product (GDP). These are the real figures you should be looking at, not all these nonsense rumor-mongers are peddling.”

Binku shook his head in regret, he knew his father was beyond redemption. He thought he could make him see things his way but it was all too obvious the old man was set in his ways.

“I will be leaving now,” Binku said somberly.

“Even though you did not campaign for me, that is forgivable. At least your vote will be for your father,” Ndabar teased, trying to play down the tension.

Binku smiled mockingly as he prepared to take his leave. “You amaze me, father. You will be the last person I will ever vote for.”

As if stung by an invisible bee, Ndabar looked spontaneously at his son with no particular expression on his face. “Was that a joke?”

“No father, that is exactly what I am going to do,” Binku replied firmly.

“Do that, and watch me disown you on national television!” Ndabar said with an authoritative voice. Binku did not wait for his father’s response, he exited the suite quietly.

“Bastard!” Ndabar thundered.

Ndabar, nicknamed “the Ruler” by his people because of his “endless” reign as premier, sighed, staring at the Barrel-Vaulted ceiling of the leisure suite and ruminating over his intense argument with his son. “But should he even be having this kind of a conversation, a night to the election?” he asked himself, there were more important things to think about. He hated the way the conversation made him feel; like a cold-blooded villain. “Was he that bad?”  Everyone that came close to him had a fair share of the national cake and he ensured that all his loyal “subjects” had more than enough. Sadly, he was surrounded by incompetent men who ruined the little good left in him he wanted to do for his people. He believed there was nothing wrong in remaining in power for as long as possible, so far it was for stability and continuity. This was why he wanted his son to join him so that he could groom him for power, and he could carry on with his agenda when he eventually decides to pass on the baton. If another man became premier, Ndabar feared everything he was trying to put in place would be abandoned. His thought was disrupted when he remembered that there was a very important call he had to make before the next day. Not everything could be trusted to delegation in his opinion, and not on a matter such as this. He was not ready to take chances or be taken by surprises.

He got on a secure line, after two dials, he got through.

“So, you don’t think you need to report to me, Magi?”

“Your Excellency!” Magi saluted; her voice punctuated with trepidation. “I was told by the link that I would not need to contact the premier for any reason on the matter because I should know by now what is expected of me, and if anything, I should contact him.”

“Apt,” Ndabar responded in a very calm baritone voice. “And certainly, you don’t need to be reminded that I appointed you as the Chairman of the Electoral Commission to get me back to the presidential villa. Five hundred million Balilu Rands have been wired to your Swiss account already. Once the job is done, you get the balance of another Five hundred million, failure to fulfill your side of the bargain, you need not be told what will befall you.”

Magi smiled nervously from the other end of the call. “Your Excellency, you don’t have to disturb yourself. What we have tomorrow is just a mere electoral exercise, the real election has been determined already. You are our next premier! All that is left is the formal announcement after the electoral exercise is out of the way. You don’t need to worry about the electoral tricks that will ensure this, that is my job. Tomorrow’s voting is a public exercise, elections are private matters.”

“I hope so,” Ndabar responded coldly. “My eyes are watching you behind the scene.” then he cut the call abruptly, sighing heavily. He had ensured the primitive manual ballot system remained in place for years for ease of manipulation and with the Electoral Commission under his incumbency power, this always did the trick.

Ndabar yawned. He still had a long night ahead. A brief meeting with key members of his political party was scheduled for 1 am then another meeting and here he was already dozing. He needed something to keep him awake.

He reached out for the intercom and placed an order, he wanted something to keep his eyes wide open till he was done for the day. He knew he was getting too old for the rigors of the office but he was not ready to relinquish power yet.

“What would you like to take, your Excellency?” the butler asked when the call went through.

“Black coffee.”

“All is noted, your Excellency,” the butler responded. After that, he placed another call through to his chief of staff, his most trusted subject, and longtime friend; Daga. He asked him to report to his office immediately.

Both the coffee and the chief of staff arrived at the Ruler’s leisure suite at the same time. The moment Ndabar spotted Daga, he beckoned him to come over.

“Daga, come here quickly. I need you to taste my coffee so I can have a hot drink. The coffee is needed to help me stay awake. I have a few more meetings before I’m done for the day.”

Ndabar trusted no one, except of course his chief of staff. He never tasted food or drink except his right-hand man tasted it first. That way, he knew it was safe to take.

“As usual, your Excellency,” Daga smiled as he walked over to the gold tripod stool in front of the Ruler. Daga was a tall man; six feet, but Ndabar often referred to him as a “long” man to make a caricature of his intimidating height as compared to the premier who was a short man with a big tummy. Over time, age had however made Daga’s towering height bent. He wore a very thick haircut that looked more like he had a big black ball on his head; a modern-day afro-cut, with a stylish parting that traveled from the center of his head backward, though now, the entire hair was a mountainous grey—a signature of old age.

He picked a silver teaspoon on the tray in front of the premier, bowed gracefully, took a sip then gave an approving nod. He wondered when Ndabar would learn to trust his immediate staff. He stole a glance at the Ruler and noticed that he had a troubled look.

“What worries you, your Excellency?”

“Sit,” Ndabar said blankly. “Tell me, are we really doing badly?”

Daga looked long at the Ruler, he could not remember when last the Principality of Balilu asked him such a question. Daga had given him the nickname but never called him the name to his face. “Any reason why you asked?”

“Daga, I’m just troubled. Are we not trying? Do we not deserve another term?”

Daga wanted to reply but suddenly paused, he knew exactly what the Ruler wanted to hear. The only reason why their friendship had lasted this long was because he always told him what he wanted to hear.

“Anyone that says you are not doing your best is blind and knows nothing about the relentless effort you put into ensuring that this nation works. If you ask me, I would say you deserve many more terms. At eighty-two you may look tired to many, but you are not retiring.” He meant the last statement as a joke. Ndabar caught the joke.

The Ruler laughed recklessly. When he laughed, the entire room shook, he laughed with his entire being, his bloated tummy dancing around with a wobble. He calmed down soon after, and then he took a long sip from his coffee. “You have a way with words, your words lift my spirit,” the Ruler commended.

“Thank you, sir,” Daga responded with a faint smile.

Suddenly, Ndabar held his stomach and squeezed his face like someone in intense pain.

“Any problem, your Excellency?’’ Daga enquired. Ndabar shook his head to indicate that all was well. He staggered up but before he could move, he vomited. Daga ran to him. Before the Ruler could take another step, he vomited again, then he slumped. He was already looking pale.

He looked up at Daga with an expression Daga understood too well.

“Who prepared this coffee?” Ndabar stammered in between breaths. He was still trying to compose himself when he vomited again. “Daga but you…”

Daga looked down at the dying man. “But I tasted the coffee, right? So, what went wrong?” Daga laughed mockingly. “You have just been poisoned with a heavy dose of ricin, contained in “Ricinus communis” an attractive plant you know too well as castor bean. I’m amazed it worked so fast on you, I guess your immune system must be so weak perhaps because of old age. You would never have imagined that this is what will end you; the everlasting Ruler of the mighty Republic of Balilu.”

As Ndabar looked up at his most trusted subject with a face tormented with shock, he vomited yet again. “Da…ga, but you took the coffee first, how come you are still standing? You poisoned me? Why? How?”

“I will answer your question one after another. In case you do not know, all the high-profile staff here have been compromised, every security protocol around you, suspended. Which was how I was able to gain access to poison your coffee. Those that refused to cooperate have been dealt with. As to why I am not affected by the poison, I took the ricin antidote, a recent scientific discovery I must say, just before I entered this suite. To your other question; why would I not do it? Ndabar, you have outplayed yourself. Even you should be tired of your barren reign! The people are hungry, Balilu is falling, our economy is dying.”

“You misunderstand me,” the Ruler said quietly, his strength draining out of him. “It’s for the sake of continuity, I thought you understood me, I thought you are with me…”

“How long does it take to make a nation better, if you truly wanted it better? It is obvious you are not the Messiah we seek, leave the office, allow someone else to drive the vehicle of the nation, you refused. You keep blaming your predecessors while sabotaging the present.”

“Bloody traitor! I curse you with the curse of the ancestors, it shall not be well with you!” the Ruler said weakly, his words punctuated with strange fatigue. He was completely dehydrated.

“What you are witnessing is the greatest coup in the history of Balilu. I will take over the seat of power from you, a seat you have turned to a self-made throne. My taking over is only to ensure a smooth transition in the election. Balilu deserves a far better leader than you!”

At 11.59 pm, a minute before the day of the next election, the everlasting Ruler of the Republic of Balilu breathe his last, his lifeless eyes staring at his most trusted subject.

The election day came with the nation oblivious of the departure of its almighty Ruler. An air of suspicion that something was out of place hung strongly in the atmosphere, regardless. Ndabar was one known for his powerful show-off on election day. His convey of exotic cars to the election ground was always the number one news on a day such as this. The overwhelming security and entourage that escorted him to cast his vote were intimidating and the bravado with which he voted was entertaining, it was always the most important news item on all media platforms, even more important than the election itself. Today, there was nothing like that. Where was the Ruler? Everyone asked.

By evening after voting was completed, Ndabar, the longest-ruling premier of the Republic of Balilu was declared to have died of cardiac arrest; the typical coverup to deter probing eyes, and play out a nicely written script. The nation was only a spectator, ignorant of the backstage of events. Immediately, every media house, home, and abroad devoured the news. It became the number-one topic, and it spread like wildfire. The media became part of a conspiracy it was unaware of.

Perhaps, it should have been a day of gloom and mourning in Balilu but the reverse was the case, as the whole nation celebrated like a nation that had just gotten its independence.

Maurii, a thirty-something-year-old investment banker, won the election landslide out of eight contestants while Ndabar managed to tag along in the last position, having only his loyal party members voting him. The electoral chairman and all subjects of the Ruler had received inside information about his death even before the election commenced. The electoral chairman concluded there was no point manipulating elections for a dead man.

There was hope in the air, hope that this might be the dawn of a new era, the beginning of economic resurgence, but even for Maurii, he was not sure what he saw in the future of Balilu—the usual syndrome of empty ambition infected with a lack of vision. The system was greater than the man and he was unsure whether the system should not be allowed to run its course. Why would he want to initiate a process that would restructure the system when he could use its defects to his advantage to enrich himself and his unborn generation? National transformation for Balilu might suddenly have become as hopeless as dry leaves except a revolution of change triggered by the will of a people weary of clueless leadership arise, only time would tell…

 

 

 

 

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ZANBUTU, THE UNIFIED AFRICAN GALACTIC CITY https://comicsdi.com/zanbutu-the-unified-african-galactic-city/ Sun, 28 Mar 2021 22:00:55 +0000 https://comicsdi.com/?p=2244 Recently, an architecture firm “Abiboo” released its ambitious plans for “Nuwa” a sustainable city in Mars. The plans reveal that the architectural masterpiece is intended to hold  up to 250,000 people in mostly underground  cave systems so as to protect human life from the damaging cosmic and solar radiation in the martian planet. This interesting […]

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Recently, an architecture firm “Abiboo” released its ambitious plans for “Nuwa” a sustainable city in Mars. The plans reveal that the architectural masterpiece is intended to hold  up to 250,000 people in mostly underground  cave systems so as to protect human life from the damaging cosmic and solar radiation in the martian planet. This interesting development is following the landing of the US Rover “Perservance”on Mars some time ago  and Elon Musk’s ambition to have a city in  Mars by 2050, crazy!

It is perhaps on the heels of this mind-boggling vision that our first ever novella, written by the visionary of comicsDI, Ayo Makinde, was born!

Zanbutu is a daring afrofuturistic tale that tells the gripping story of Kamiti, a Kenyan Albino lad from the slums of Limuru, Kenya, who gains admission to enroll in the prestigious Strong Breed Military Academy at Zanbutu, the first ever unified African Galactic City-State in Xemus, a newly discovered planet in outer space. His new life seemed like a dream come true and a golden key to a brand-new life of adventure. And it all appears like everything is going so beautifully well for the galactic city until Darkness arises….

While Zanbutu explores the world of space travel and space as an alternate home of man, it presents this perspective through the refereshing eyes of Afrofuturism in a way you’ve never seen it before. The story presents a world of possibilities of what might or might not be.

This compelling story is now out and the ebook is available across the globe on Amazon and Streetlib via the links below

https://store.streetlib.com/it/ayo-makinde/zanbutu

 

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THE LEGENDARY IVORY THRONE (Background story) https://comicsdi.com/the-legendary-ivory-throne-background-story/ Thu, 30 Apr 2020 19:36:51 +0000 https://comicsdi.com/?p=2060 The Ivory Throne is reckoned to be one of the most legendary symbols of power and authority in Lagelu Kingdom. It has been in existence for many years and had been the seat of power of all the Kings of Lagelu. The gold of the lion and the lioness statute are said to be made […]

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The Ivory Throne is reckoned to be one of the most legendary symbols of power and authority in Lagelu Kingdom. It has been in existence for many years and had been the seat of power of all the Kings of Lagelu. The gold of the lion and the lioness statute are said to be made from refined gold while the four wooden masks at the base of the throne, symbolic of the ancestors of the land, are made from Iroko, a large hard wood tree from the West Coast of tropical Africa that can live up to 500 years. The mask carving were made by Gbadegesin, the greatest wood carver that ever lived in Lagelu. It is said by  all who have encountered the legendary throne that the eyes of the wooden masks had a penetrating look as if they stared continually at you or as if they beamed with light. Whether this was an exaggeration or a mere assumption was however better imagined. The fact remained though that there was something extraordinary about these royal masks.

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MEET THE CREATIVE TEAM BEHIND THE TRADITIONAL AFRICAN COMIC WEB SERIES: LAGELU https://comicsdi.com/meet-the-creative-team-behind-the-traditional-african-comic-web-series-lagelu/ Wed, 19 Feb 2020 12:45:11 +0000 https://comicsdi.com/?p=2018 The best of the best…….Some of the finest minds in the Nigerian  comic Industry have been brought together to bring to live the trailblazing Traditional African Sci-fi Comic web series “LAGELU”. Enjoy!

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The best of the best…….Some of the finest minds in the Nigerian  comic Industry have been brought together to bring to live the trailblazing Traditional African Sci-fi Comic web series “LAGELU”. Enjoy!

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LAGELU (The Synopsis) https://comicsdi.com/lagelu-the-synopsis/ Sun, 09 Feb 2020 20:38:33 +0000 https://comicsdi.com/?p=2010 Some say it is likely going to be a Yoruba Game of Thrones while others say it must be a weak copy of Wakanda. Well, the wait is over. We present to you the synopsis of the Traditional African Sci-fi comic web series “Lagelu”: Following the fall of the old Oyo Kingdom in 1835 when […]

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Some say it is likely going to be a Yoruba Game of Thrones while others say it must be a weak copy of Wakanda. Well, the wait is over. We present to you the synopsis of the Traditional African Sci-fi comic web series “Lagelu”:

Following the fall of the old Oyo Kingdom in 1835 when Alaafin Olueru was killed by the forces of the first Fulani Emir of Illorin and the collapse of mighty kingdoms in West Africa like the old Benin Kingdom, people saw little or nothing again of the Monarchical System of Government in its authentic form. Little did people know that one kingdom outlived them all- Lagelu, the kingdom on four hills. It survived the evolution of the old era and evolved with the technological age while retaining its strong African Identity. One thing however underscored the life of Lagelu, threatening its existence as it emerged in the future (2050AD); Four brothers: Aderibigbe, Aderopo, Adelabu and Adeyemi, heirs to the throne of the Alakiti of Lagelu Kingdom battle to ascend the throne of their father, Oba Adegeye, who laid in a mysterious and hopeless coma while the oracle continually kept mute.

The frictions and ruthless conflicts of these four princes is however only the beginning of the tumults that rocked the foundation of the only surviving Traditional African Kingdom in the future of time.

The web series is slated for release in March, 2020. Anticipate!

Story & comic script: Ayo Makinde.

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THE NIGERIAN COMIC INDUSTRY: An explosion of creativity https://comicsdi.com/the-nigerian-comic-industry-an-explosion-of-creativity-2/ Tue, 08 Oct 2019 08:34:05 +0000 https://comicsdi.com/?p=1977 Perhaps two years ago when i penned down articles about the Nigerian comic scene, i never knew things would get this explosive pretty soon. I’m excited! Things are not just picking up, i see an explosion of creativity! While critics will have so many things to point at as defects in the fast growing industry, […]

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Perhaps two years ago when i penned down articles about the Nigerian comic scene, i never knew things would get this explosive pretty soon. I’m excited! Things are not just picking up, i see an explosion of creativity! While critics will have so many things to point at as defects in the fast growing industry, what however strikes me the most is the fact that, take it or leave it, the game is changing. The industry i see today is no longer a dumping ground for any kind of mediocre work. The competition is getting heated up. The standard of quality in the industry is rising. Anyone who decides to venture in to drop just any kind of work will face a rude shock of being lost in the mixed multitude and will probably have a major problem of standing out. This is not to discourage newcomers in the industry but is only an obvious handwriting on the wall telling newcomers to do their homework well because standards are higher now compared to four, five years ago.
Worthy of note, is Comic Republic’s ”Visionary” that took the industry by storm in 2016. By the way, Comic Republic is a promising comic brand here in Nigeria that really caught my attention some years back and i’ve been watching them closely ever since. On a second thought i think they really need no introduction. While my mention of ”Visionary” is not to religate their other titles like: Guardian Prime, Eru, Avonome, Hero Generation, Vanguard Rising, Ireti, Scion Immortal, Aje to the background, Visionary actually stood out in a unique way because it was the reinvention ”kind of” of an African legend ”Sango!”. Another brand which is really trending at the moment is the notable ”Spoof Animation”. It made a powerful re-entry into the industry with the proposed release of its four titles – Voyager (a space travel story that has got a lot of people thinking), Vantage( expect to see a lot of crazy shooting in this title), Boxsa (this reminds me of juju power in our African Magic Movies, lol) and Jinx . Youneek Studios is another brand that is changing the game in the industry. I eagerly look forward to reading the famed ”Malika”, their recent title creating a lot of buzz home and abroad. And how can i forget Peter Daniel’s ”NewBorn”, its a long awaited work actually and a lot of creative energy has gone into it. I believe when its out, it will set the pace for other creative works that will come after it. Hummmmm…..Vor
tex, the brand behind the popular African Superhero ”Strikeguard” deserves a gold medal for their consistency in the Nigerian Comic sphere. I wonder how they perform this magic of consistency, lol.
Just recently, a major Nigerian Comic Brand ”Epoch Comics” really caught my attention with the release of their most recent effort ”Ageis 3, Sheol’s Gate”. So you ask, “Does that mean there was an Aegis 2 and 1?, how come we never heard of it?”. It is interesting to note that Epoch Comics is not a newcomer in the industry. Infact, like ICS Studios, creators of the famous ”Dark Edge” Epoch has been around for a while now albeit on a low key, they are however coming back with a big bang! Aegis 3 is obviously a proof of that. The quality of the art, the story, the concept speaks for itself without needing any hype. When a work is good, it speaks for itself.
I’m about to drop my pen. I hear whispers…..but i think they are going from whispers to echoes. Some people think its high time we have our own African Superhero movies probably like Wonderwoman currently showing in the cinemas for instance which of course was once a comic character. Yes we have the art, brands like Epoch Comics, Comic Republic etc are proof of that. But do we have the well developed stories, concepts and characters? Is it time to root for an African/
Nigerian superhero movie? Or better still won’t it be more ideal for us to focus on growing our stories, concepts and characters more for now??? I leave you to be the judge of that.
I do hope i’ll get the time to write again anytime soon ‘cos writing can be very demanding. Cheers!!!
Art is taken frm Aegis episode 3 with the kind permission of Epoch Comics the brand that produced the comic.
This article was first published on our facebook page in 2017. The comic industry in Nigeria is a lot bigger now

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Comics as an expression of the African Culture https://comicsdi.com/comics-as-an-expression-of-the-african-culture/ Mon, 30 Sep 2019 11:33:42 +0000 https://box5512/cgi/addon_GT.cgi?s=GT::WP::Install::EIG+%28opeyemip%29+-+10.0.87.50+%5BWordPress%3b+/var/hp/common/lib/WordPress.pm%3b+256%3b+Hosting::gap_call%5D/?p=1 Perhaps one of the core African literatures i was most endeared to while growing up was “The gods are not to blame” by Ola Rotimi. The story of the cursed Odewale who was predestined to kill his father and marry his mother is an epic classic any day! The unique diction and rich usage of […]

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Perhaps one of the core African literatures i was most endeared to while growing up was “The gods are not to blame” by Ola Rotimi. The story of the cursed Odewale who was predestined to kill his father and marry his mother is an epic classic any day! The unique diction and rich usage of African Proverbs makes the work further stand out. Fast forward several years, i found myself researching the works of Yoruba African trailblazers like the master of Thespian art “the late Hubert Ogunde”, the eclectic Duro Ladipo whose epic play on the Yoruba thunder god ” Sango” titled: Oba Ko So ( the king did not hang) remains one of the best epic depictions of Alaafin Sango till date, arguably unrivaled. Within this same hall of fame is D.O. Faguwa’s famed work “Ogboju Ode Ninu Igbo Irumole” translated to the English Language in later years by our own WS: Professor Wole Soyinka.
Be that as it may, there is of course no denying the fact that in some quarters legends like Hubert Ogunde and Duro Ladipo were regarded as principalities in the occult. I have however decided to look beyond this tainted glass for obvious reasons. From my chain of research, one thing you can never take away from these African Icons is the fact that they were uniquely talented, exceptionally gifted and their taste for excellence was second to none. In fact Hubert Ogunde’s command of the English Language can readily throw you off balance. He was not an illiterate in any sense of the word. It will interest you to know that at the later part of his life he was awarded Doctor of letters by the then University of Ife and University of Lagos, earning him the scholastic title of “Dr” Hubert Ogunde before his demise in 1990.
In the same way therefore that drama, literature and music within the African context is a clear expression of Africanism, comics in Africa cannot be disconnected from the core of the African Culture. In fact, comics are another medium through which the African culture finds its expression. Our art is unique to us. Our stories are unique to us in the same way that our way of life is unique to us. This remains one of the key things that the west admires most in our art and creativity. It is on the heels of this that “Duro” arrives. I am sure you did not see this coming, neither did we. We already have our hands full with enough pending projects before this surfaced. What exactly is Duro? For now all we can say is: Duro is a short scholastic work, an awesome rendering of Yoruba African Mythology in a way you’ve never seen it.
Duro is ready and set for release before the year runs out. For now, enjoy this teaser poster but when the cover art drops you can be sure it will drop with a big bang!
Story : Ayo Makinde
Graphics: Artvantage studio

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THE NIGERIAN COMIC INDUSTRY: An explosion of creativity! https://comicsdi.com/the-nigerian-comic-industry-an-explosion-of-creativity/ Thu, 13 Aug 2015 02:39:03 +0000 http://demo.oceanthemes.net/archi/?p=32 Perhaps two years ago when i penned down articles about the Nigerian comic scene, i never knew things would get this explosive pretty soon. I’m excited! Things are not just picking up, i see an explosion of creativity! While critics will have so many things to point at as defects in the fast growing industry, […]

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Perhaps two years ago when i penned down articles about the Nigerian comic scene, i never knew things would get this explosive pretty soon. I’m excited! Things are not just picking up, i see an explosion of creativity! While critics will have so many things to point at as defects in the fast growing industry, what however strikes me the most is the fact that, take it or leave it, the game is changing. The industry i see today is no longer a dumping ground for any kind of mediocre work. The competition is getting heated up. The standard of quality in the industry is rising. Anyone who decides to venture in to drop just any kind of work will face a rude shock of being lost in the mixed multitude and will probably have a major problem of standing out. This is not to discourage newcomers in the industry but is only an obvious handwriting on the wall telling newcomers to do their homework well because standards are higher now compared to four, five years ago.
Worthy of note, is Comic Republic’s ”Visionary” that took the industry by storm in 2016. By the way, Comic Republic is a promising comic brand here in Nigeria that really caught my attention some years back and i’ve been watching them closely ever since. On a second thought i think they really need no introduction. While my mention of ”Visionary” is not to religate their other titles like: Guardian Prime, Eru, Avonome, Hero Generation, Vanguard Rising, Ireti, Scion Immortal, Aje to the background, Visionary actually stood out in a unique way because it was the reinvention ”kind of” of an African legend ”Sango!”. Another brand which is really trending at the moment is the notable ”Spoof Animation”. It made a powerful re-entry into the industry with the proposed release of its four titles – Voyager (a space travel story that has got a lot of people thinking), Vantage( expect to see a lot of crazy shooting in this title), Boxsa (this reminds me of juju power in our African Magic Movies, lol) and Jinx . Youneek Studios is another brand that is changing the game in the industry. I eagerly look forward to reading the famed ”Malika”, their recent title creating a lot of buzz home and abroad. And how can i forget Peter Daniel’s ”NewBorn”, its a long awaited work actually and a lot of creative energy has gone into it. I believe when its out, it will set the pace for other creative works that will come after it. Hummmmm…..Vor
tex, the brand behind the popular African Superhero ”Strikeguard” deserves a gold medal for their consistency in the Nigerian Comic sphere. I wonder how they perform this magic of consistency, lol.
Just recently, a major Nigerian Comic Brand ”Epoch Comics” really caught my attention with the release of their most recent effort ”Ageis 3, Sheol’s Gate”. So you ask, “Does that mean there was an Aegis 2 and 1?, how come we never heard of it?”. It is interesting to note that Epoch Comics is not a newcomer in the industry. Infact, like ICS Studios, creators of the famous ”Dark Edge” Epoch has been around for a while now albeit on a low key, they are however coming back with a big bang! Aegis 3 is obviously a proof of that. The quality of the art, the story, the concept speaks for itself without needing any hype. When a work is good, it speaks for itself.
I’m about to drop my pen. I hear whispers…..but i think they are going from whispers to echoes. Some people think its high time we have our own African Superhero movies probably like Wonderwoman currently showing in the cinemas for instance which of course was once a comic character. Yes we have the art, brands like Epoch Comics, Comic Republic etc are proof of that. But do we have the well developed stories, concepts and characters? Is it time to root for an African/
Nigerian superhero movie? Or better still won’t it be more ideal for us to focus on growing our stories, concepts and characters more for now??? I leave you to be the judge of that.
I do hope i’ll get the time to write again anytime soon ‘cos writing can be very demanding. Cheers!!!
Art is taken frm Aegis episode 3 with the kind permission of Epoch Comics the brand that produced the comic.
This article was first published on our facebook page in 2017. The comic industry in Nigeria is a lot bigger now

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